Featured Artist
See who visited OperAgent.com recently:
Directory
Casting2012: A Village Romeo and Juliet Badisches Staatstheater
Das gute Niveau die Protagonisten setzte sich bein den kleineren Partien fort: ... Andrew Finden und Eleazar Rodriguez als stimmungsvolle Schiffer, die als Todesboten das verklärte Ende der Liebenden begleiten..
The smaller roles also sat at the good level of the protagonists: ... Andrew Finden and Eleazar Rodriguez as atmospheric boatmen who accompany, as messengers of death, the glorified ending of the lovers...
Andrew Finden gibt seinem Gesang als Graf Oscar bei aller Kraft auch einigen Schmelz.
Andrew Finden gave powerful and very melodious singing as Count Oscar.
zwei bemerkenswerte Neuzugänge... Andrew Finden als hölzern spielender und diskret singender Oscar
two noteworthy newcomers... Andrew Finden as awkward playing and diplomatically singing Oscar
Sehr präsent sind auch Edward Gauntt mit zupackendem Bariton als Popolani und Andrew Finden als Höfling Oscar.
Very present also were Edward Gaunnt with hands-on Baritone as Popolani and Andrew Finden as the courtier Oscar.
die kleineren Partien sind aus dem Ensemble heraus sehr gut besetzt: ... sowie Andrew Finden als Marullo
the smaller parts are very well cast from the ensemble: ... as well as Andrew Finden as Marullo
Die Nebenrollen waren aus dem Ensemble sehr zufriedenstellend besetz
The supporting roles were filled from the ensemble very pleasingly.
Bariton Andrew Finden war ein bravouröser Conte mit prachtvoller Stimme und Spielwitz
Baritone Andrew Finden was a brilliant Count with a magnificent voice and playfulness
Das Almaviva-Paar mit Andrew Finden und Isabel Blechschmidt bestach durch dramatische Präsenz und gesangliches Format.
The Almaviva couple of Andrew Finden and Isabel Blechschmidt captivated through dramatic presence and vocal class.
Andrew Finden: sehens- und hörenswert als Alvaro
Andrew Finden: worth seeing and hearing as Alvaro
Eine fulminante, geschlossene Ensembleleistung
A brilliant, closed ensemble performance
Im hauseigenen Rossini-Ensemble finden sich erstaunlich viele Sänger, die mit den teils halsbrecherischen Anforderungen ihrer Partien sehr gut zurecht kommen: ... Bei den Herren ... solide Bass-Kollegen Kurt Schober (Sidney), VIadislav Solodyagin (Trombonok) und Andrew Finden (Alvaro).
An in-house Rossini ensemble found itself an amazing number of singers who managed the break-neck requirements of their parts: from the men... solid bass colleauges Kurt Schober (Sidney), Vladislav Solodagin (Trombonok) and Andrew Finden (Alvaro).
sowie der Bariton Andrew Finden als spanischer Admiral Don Alvaro – er stolzierte dauernd mit der Fußball-WM-Trophäe über die Bühne
Baritone Andrew Finden, as Spanish admiral Don Alvaro, continuously stalked around the stage with the Football World-Cup trophy
Mit vorbildlich fokussiertem Stimmklang wartete Andrew Finden als Don Alvaro auf.
Andrew Finden entertained with exemplary foccused vocal sound as Don Alvaro.
Die Herrenriege war ebenfalls virtuos vertreten... Kurt Schober ersingt sich einen verträumten, dem englischen Königshaus treu ergebenen, Lord Sidney voll baritonalem Wohlklang wie auch der feurige Spanier Don Alvaro, Andrew Finden.
The men's ranks were well represented with virtuosity ... Kurt Schober sings a dreamy, loyal to the English throne Lord Sidney with full baritonal sonority, as also does the firey Spaniard Don Alvaro, Andrew Finden.
Von der beiden Philistern vermochte der mit gutem vokalen Material gesegnete Bass ‘Andrew Finden’ mehr zu überzeugen…
Of the two Philistines, blessed with good vocal material, bass Andrew Finden was able to convince more..
Der Australier Andrew Finden vom Opernstudio brilliert ganz souverän als Dr Falke
The Australian Andrew Finden from the Opera Studio shone with total confidence as Dr Falke
Gut schnitt auch ANDREW FINDEN in der Rolle des Fürsten Yamadori ab.
Good segment also from Andrew Finden in the role of Prince Yamadori.
In jeder Beziehung gut war Andrew Finden als Conte
Andrew Finden as Il Conte was good in every account
Other excitements include a rebellious English Archer (Andrew Finden, compelling) who is flayed alive for speaking out against the invasion.
Richard Morrison, The TimesAndrew Finden was a goofy, personable Slook, and he used his light baritone atractively.
Peter Reed, OperaAndrew Finden gave a stunning account of the baritone aria “Consume them all"
Richard Lester, The Wilts and Gloucestershire StandardAndrew Finden was a terrific Elijah. Mellow and sonorous he handled the demanding role beautifully.
Sarah Shalders, Narooma News
CalendarFuture Productions:
| Start Date | Role | Work | Company |
|---|---|---|---|
| 7-Jul-2012 | American soldier | 3. Guest | Wallenberg | Badisches Staatstheater (Kratzer|Willig) |
| Year | Role | Work | Company |
|---|---|---|---|
| 2012 | Masetto | Don Giovanni | Badisches Staatstheater (Tannenbaum|Gedschold) |
| 2012 | Schiffer (in Deutsch) | A Village Romeo and Juliet | Badisches Staatstheater (Brown|Siegert) |
| 2012 | Clito | Alessandro | Badisches Staatstheater (Form|Fahima) |
| 2011 | Marullo | Rigoletto | Badisches Staatstheater (Lucassen|Willig) |
| 2011 | Graf Oscar (in Deutsch) | Barbe-bleue | Badisches Staatstheater (Bieringer|Stiehl) |
| 2011 | Il Marchese d'Obigny | La traviata | Badisches Staatstheater (Brown|Thorwald) |
| 2011 | Moralès | Carmen | Staatstheater Nürnberg (Tardue|Laffargue) |
| 2011 | Il conte Almaviva | Le nozze di Figaro | Hochschule für Musik Nürnberg (Kirchner|Rumstadt) |
| 2010 | Harlekin (cover) | Ein Perückenmacher | Ariadne auf Naxos | Staatstheater Nürnberg (Köpplinger|Perick) |
| 2011 | 2. Philistin (in Français) | Samson et Dalila | Staatstheater Nürnberg (Mouchtar-Samorai|Rumstadt) |
| 2010 | Doktor Falke | Die Fledermaus | Staatstheater Nürnberg (Perick|Koeken) |
| 2011 | Don Alvaro | Il viaggio a Reims | Staatstheater Nürnberg (Scozzi|Pointner) |
| 2010 | Il Conte | Emilia di Liverpool | Staatstheater Nürnberg (Baesler|Rumstadt) |
| 2010 | Il conte Almaviva (cover) | Le nozze di Figaro | Staatstheater Nürnberg (Rohde) |
| 2010 | Il principe Yamadori | Madama Butterfly | Staatstheater Nürnberg (Rumstadt) |
| 2009 | Slook | Il cambiale di matrimonio | Guildhall School of Music and Drama (GSMD) (Talevi|Timms) |
| 2009 | baritone | Two sisters, a rose, a flood and snow [Nicholson] | London Symphony Orchestra (LSO) (Nicholson) |
| 2009 | baritone | The Messiah [Handel] | London Handel Festival (Cummings) |
| 2009 | Paul | St Paul [Mendelssohn] | Cirencester Choral Society |
| 2009 | Schaunard | La bohème | Longborough Festival Opera (Jagusz|Dean) |
| 2009 | English Archer | The King Goes Forth to France | Guildhall School of Music and Drama (GSMD) (Lloyd-Evans|Timms) |
| 2008 | Brooke | Little Women | International Vocal Arts Institute (Edelson|Demaris) |
| 2008 | Steward (cover) | Flight | British Youth Opera (Lloyd-Evans|Cleobury) |
| 2008 | Vertigo | La rencontre imprevue | Guildhall School of Music and Drama (GSMD) (Medcalf|Kok) |
| 2008 | Maître Jean (cover) | La colombe | Guildhall School of Music and Drama (GSMD) (Talevi|Greenwood) |
| 2008 | Bobinet (cover) | La vie parisienne | Guildhall School of Music and Drama (GSMD) (Lloyd-Evans|Timms) |
| 2007 | David | A Hand of Bridge | Sydney Conservatorium of Music |
| 2007 | Masino | La vera costanza | Sydney Conservatorium of Music (Palló|Macdonald) |
| 2007 | Dr Gregg | Gallantry | Sydney Conservatorium of Music |
| 2007 | Adam | Raphäel | Die Schöpfung [Haydn] | Sydney University |
| 2007 | Der Sprecher (cover) | Die Zauberflöte | Guildhall School of Music and Drama (GSMD) (Edwards|Kerley) |
| 2006 | Ernesto | Il mondo della luna | Sydney Conservatorium of Music (Palló|Douglas) |
| 2006 | Elijah | Elias [Mendelssohn] | The Montague Choristers (Hawkey) |
| 2005 | Billy Bigelow | Carousel | University of Southern Queensland (Sorbello|Lorenz) |
| 2005 | Ben | The Telephone | University of Southern Queensland |
| 2004 | Macheath | The Beggar's Opera | University of Southern Queensland (Johnson|Sweeny) |
Deutsch
EnglishAustralian baritone Andrew Finden is quickly garnering the attention of audiences and critics alike for his compelling stage presence and vocal qualities. A Samling Scholar, Britten-Pears Young Artist and an alumni of the International Vocal Arts Institute's Tel Aviv Summer Opera Programme, Andrew recently gained a Master of Music with Distinction on the prestigious Opera Course at the Guildhall School of Music and Drama, where he was awarded the Harold Rosenthal Prize.
Since the beginning of the 2011/12 season Andrew has been a member of the ensemble of the Badisches Staatstheater Karlsruhe, where his roles include Marullo (Verdi's Rigoletto), Count Oscar (Offenbach's Barbe-Bleu), Masetto Mozart's Don Giovanni) and Clito (Handel's Alessandro).
Andrew recently completed a two-year membership of the Internationales Opernstudio des Staatstheaters Nürnberg, where his roles included Il Conte (Donizetti's Emilia di Liverpool), Dr Falke (J. Strauss's Die Fledermaus), Don Alvaro (Rossini's Il viaggio a Reims), and Morales (Bizet's Carmen). Other highlights have included the role of Mr Brooke in the national premiere of Mark Adamo's opera Little Women for the International Vocal Arts Institute in Israel under the guidance of the composer, the role of Steward (cover) in Jonathan Dove's opera Flight for British Youth Opera and Schaunard (Puccini's La Bohéme) for Longborough Festival Opera.
On the concert platform, Andrew made his Barbican debut as soloist in Alisdair Nicholson's Two Sisters, A Rose, A Flood and Snow with the London Symphony Orchestra. Andrew was a soloist in Handel’s Messiah for the London Handel Festival and has been a soloist at the Royal Concert Hall, Glasgow, the New Israeli Opera and with the Sydney Symphony Orchestra under Maestro Richard Bonynge.
During his studies Andrew performed numerous roles, including Il Conte Almaviva (Mozart’s Le nozze di Figaro), The English Archer (Sallinen’s The King Goes Forth to France), Billy Bigelow (Rogers & Hammerstein’s Carousel) and Slook (Rossini’s Il Cambiale di Matrimonio).
Andrew has been a semi-finalist in the Fancisco Viñas International Singing Contest, a finalist in the Stuart Burrows International Voice Award and was awarded the Nelly Apt Scholarship in the Australian Singing Competition Mathy Awards. He is also a recipient of the Sydney de Vries Memorial Award for Baritone, and a prizewinner in the Australian National Aria, and Oper Schloß Laubach competitions. In 2010 he was selected for the ZAV Nachwuchsvorsingen (young talent showcase), and is a current recipient of a Marten Bequest Travelling Scholarship. Andrew has performed in public Masterclasses with, among others, Thomas Hampson, Matthias Goerne, Håkan Hagegård and Olaf Bär.
